Overseas Sotheby's New York, Christie's Asia Art Week, Chinese art auctions have just been hot in the hot and controversial. On March 27th, an obscure Labarbe auction house in Toulouse, southwestern France, passed another great achievement: a reel painting in the Qing Dynasty Qianlong period, which was sold at a price of 22.1 million euros (about 294 million yuan), becoming This year's new auction of Chinese calligraphy and painting auctions. This excitement will not be missed by Chinese collectors everywhere. Their purchasing power is no doubt that from the mainland to Hong Kong has now extended to all corners of the world.
The official kiln of the Qing Dynasty is still the protagonist this year, overseas Sotheby's New York, Christie's Asian Art Week specializes in the promotion of porcelain miscellaneous plates, of which porcelain is the largest. Sotheby’s launches a private Tibetan-Song porcelain special occasion. Christie’s is following the trend to introduce the Gordon’s Treasure collection—the Qing porcelain kiln monochrome glazed porcelain and early art boutiques. There were more than 80 pieces on the private Tibetan Song Dynasty special event, with a total turnover of $9,309,300 and a transaction rate of 75.9%. The Qing dynasty official kiln monochrome glaze porcelain and the early artistic fine works on the number of 99 shots, the turnover amounted to 23.012 million US dollars is the estimated turnover of 6 million US dollars nearly 4 times, the transaction rate was 95%. It can be seen that collectors’ enthusiasm for the pursuit of the official kiln in the Qing Dynasty has only increased.
The Christie's Collection, which was awarded as the “Qinglong Long Qinglu Glazed Boguron Bottle†in the Qing Dynasty Monochrome Glazed Porcelain and early art auctions, was valued at US$ 2 million to US$ 4 million, with a total of more than 790 Million dollar price deal. This price is another record of the high turnover of monochrome glaze porcelain in the Qing Dynasty. The second is the "Qing Qianlong Long blue glazed parrot ear flat bottle" with its unique shape won the favorite of collectors, and finally traded for 5,485,500 US dollars.
Sotheby's launching a private Tibetan-Song porcelain special event, with most of the auctions being traded at a pre-calculated price, is still robust, but compared with the Qing Dynasty official kiln auction situation, it is a bit plain. On the top of the high price is an kiln pot, the identity of the official kiln in the Ming dynasty, which made the price firm and traded at a price of 221.005 million US dollars, nearly 10 times higher than the valuation. The second place was a piece of the Northern Song Ding Kiln Peony dish sold for 865,500 US dollars. In addition, a Northern Song Dynasty kiln with purple spotted plate and Northern Song Longquan kiln high neck bottle were sold for 482,200 US dollars and 422,500 US dollars respectively. From the point of view of collection, the Qing dynasty's official kiln is complicated and colorful and accepted by the public. However, the quality of the surviving Song Dynasty ceramics is far less than that of the Ming and Qing porcelain. The limited collections have not yet become an active blood in the collection market, resulting in its value being underestimated, but we can still hold very good expectations.
Although Sotheby’s performance on the private Tibetan-Song porcelain ceremony was uneven, it was at the Asian Art Week’s first auction, Dai Runzhai’s special collection of porcelain and handicrafts, that it took the limelight and broke the record of unprecedented auctions. A piece of “Powdery Opening and Filling with a Flower†on Sotheby’s is a ** imitation of Qianlong. The valuation is only 800-1200 US dollars, but the final price of 18.0125 million US dollars at an amazing price. Another pastel bottle in the ** period was also sold for $1.3145 million. A time of discussion have "lost children or plugging children"? Although the identification of Sotheby's may be a model, the age of this porcelain vase has been controversial since then. Obviously, many collectors think that the era should be earlier and belong to the Qing Dynasty. They are holding on to the bleakness of mind and jointly create a miracle worth more than 20,000-fold valuation.
The Chinese pushed up the skyrocketing of art and constantly set a new record. The overseas auction market felt a strong purchasing power from China. The first was Sotheby's Wear Runazhai's collection of porcelain and handicrafts on the auction stage. The history of Sotheby's was attributed to the imitation of Qianlong. The opening of the Pastry on the Pastry is a record of 20,000 times the valuation of the punctuated bottle. Thus broke the record of the difference between the priceless valuation and the transaction price in the history of the auction.
Then Christie's New York City announced a total of US$117 million worth of sales in seven auctions held during the Asian Art Week, setting another record high. Among them, Chinese art auctions achieved a total turnover of US$76.75 million, setting a record for auctions of Chinese art in New York. "Gao Teng-tung's collection - The Qing Dynasty porcelain kiln monochrome glaze porcelain and early art boutique, the top ten transactions, seven are private collectors from Asia.
Obviously, the official kiln porcelain of the third generation of the Qing dynasty was enthusiastically sought after and was not unrelated to the participation of many Chinese collectors. The "New York Art" made this assessment: "Chinese people are now desperate for Qianlong's porcelain wares." And Chinese collectors' enthusiasm for art is certainly not limited to porcelain, but also to fine art. It is even more global.
From the Swiss media, the Ventes Hotel auctioned out a ceremonial wine glass from the 17th to the 18th centuries of the Qing dynasty. It was conservatively valued at 1-1.5 million francs. On the auction site, numerous Chinese collectors and anonymous telephone bidders underwent fierce competition. The cup eventually fell to the hands of a Chinese buyer at the auction site and the transaction price was more than 30 times the starting price. The price of this auction became the highest number of Asian artworks on the Swiss auction market, and it is among the most expensive ten-size artworks in Europe.
Also in the French auction house Labarbe in Toulouse, southwestern France, a reel painting in the Qing Dynasty Qianlong period was sold at a price of 22.1 million euros (about RMB 204 million), becoming the auction of this year's Chinese calligraphy and paintings. New record. It is reported that the work was originally valued at 5 million euros to 6 million euros. After seven Asian bidders decided to compete, the auction was estimated to have risen to 13 million to 15 million euros, which was also purchased by collectors from Beijing.
Later, the four-foot square Qianlong White Jade, launched by the auction house, was also considered to be a looted French occupation of the Forbidden City in 1900. Thanks to its transparent texture and exquisite carving work, 7 bidders from Chinese collectors eventually bid for 12.4 million euros (about 114 million yuan), far exceeding the valuation of 1 million to 1.5 million euros. Some professionals also pointed out that this kind of flow of prose physics should be returned to China. They do not agree to buy back by “repurchase†because this will put a “legal†coat on the legitimacy, and the cost of returning Other cultural relics will increase. It will be more difficult.
Spring auctions are gathering together, trends are bullish on the billions of years of Chinese art auctions in 2010, the excellent situation of New York Asian Art Week this spring, and the general decline of Asia-Pacific stocks affected by Japan’s nuclear leakage, etc., and hot money will continue to flow into the arts. Market. The secluded family's old possessions have flowed into the market one after another because of their profitability. It is expected that prices of Chinese art objects will continue to rise in the coming period.
The spring auction of Sotheby’s in Hong Kong started on April 1st, showing more than 3,600 pieces of treasures. The total valuation was more than HK$2.7 billion (US$344 million). Such a high valuation is Sotheby’s auction held in Asia. Since the history of the most. One of the most interesting issues is that Sotheby’s Hong Kong will hold Ullens’ collection of important contemporary Chinese art respectively: the “Dawn - The Pursuit of the Sources of Contemporary Chinese Art†evening auctions and the “Musanne Hall Collection†- an important Chinese porcelain selection "Even" evening auctions, both special collections of national treasure level artwork.
In the following May, Hong Kong Christie's Spring Auction will continue to present a number of different collections of treasures. "Chinese Art of the 20th Century" will present "14.11.63" written by Zao Wou-ki in 1963 (appraised HK$12,016 million). The contemporary art section focuses on the large-scale painting “Bleah!†created by Liu Ye in 1999 and marks the artist's turning point in painting. 》, as well as works by Zhang Xiaogang and Zeng Fanzhi. The porcelain plate includes a series of exquisite Ming and Qing imperial porcelain, which is expected to make the auction scene once again go crazy.
The spring auctions of the major auction companies in the Mainland have been particularly busy. The footprints have spread all over the world. The work is not yet over yet but it has already begun to take shape, and boutiques have emerged again and again.
The official kiln of the Qing Dynasty is still the protagonist this year, overseas Sotheby's New York, Christie's Asian Art Week specializes in the promotion of porcelain miscellaneous plates, of which porcelain is the largest. Sotheby’s launches a private Tibetan-Song porcelain special occasion. Christie’s is following the trend to introduce the Gordon’s Treasure collection—the Qing porcelain kiln monochrome glazed porcelain and early art boutiques. There were more than 80 pieces on the private Tibetan Song Dynasty special event, with a total turnover of $9,309,300 and a transaction rate of 75.9%. The Qing dynasty official kiln monochrome glaze porcelain and the early artistic fine works on the number of 99 shots, the turnover amounted to 23.012 million US dollars is the estimated turnover of 6 million US dollars nearly 4 times, the transaction rate was 95%. It can be seen that collectors’ enthusiasm for the pursuit of the official kiln in the Qing Dynasty has only increased.
The Christie's Collection, which was awarded as the “Qinglong Long Qinglu Glazed Boguron Bottle†in the Qing Dynasty Monochrome Glazed Porcelain and early art auctions, was valued at US$ 2 million to US$ 4 million, with a total of more than 790 Million dollar price deal. This price is another record of the high turnover of monochrome glaze porcelain in the Qing Dynasty. The second is the "Qing Qianlong Long blue glazed parrot ear flat bottle" with its unique shape won the favorite of collectors, and finally traded for 5,485,500 US dollars.
Sotheby's launching a private Tibetan-Song porcelain special event, with most of the auctions being traded at a pre-calculated price, is still robust, but compared with the Qing Dynasty official kiln auction situation, it is a bit plain. On the top of the high price is an kiln pot, the identity of the official kiln in the Ming dynasty, which made the price firm and traded at a price of 221.005 million US dollars, nearly 10 times higher than the valuation. The second place was a piece of the Northern Song Ding Kiln Peony dish sold for 865,500 US dollars. In addition, a Northern Song Dynasty kiln with purple spotted plate and Northern Song Longquan kiln high neck bottle were sold for 482,200 US dollars and 422,500 US dollars respectively. From the point of view of collection, the Qing dynasty's official kiln is complicated and colorful and accepted by the public. However, the quality of the surviving Song Dynasty ceramics is far less than that of the Ming and Qing porcelain. The limited collections have not yet become an active blood in the collection market, resulting in its value being underestimated, but we can still hold very good expectations.
Although Sotheby’s performance on the private Tibetan-Song porcelain ceremony was uneven, it was at the Asian Art Week’s first auction, Dai Runzhai’s special collection of porcelain and handicrafts, that it took the limelight and broke the record of unprecedented auctions. A piece of “Powdery Opening and Filling with a Flower†on Sotheby’s is a ** imitation of Qianlong. The valuation is only 800-1200 US dollars, but the final price of 18.0125 million US dollars at an amazing price. Another pastel bottle in the ** period was also sold for $1.3145 million. A time of discussion have "lost children or plugging children"? Although the identification of Sotheby's may be a model, the age of this porcelain vase has been controversial since then. Obviously, many collectors think that the era should be earlier and belong to the Qing Dynasty. They are holding on to the bleakness of mind and jointly create a miracle worth more than 20,000-fold valuation.
The Chinese pushed up the skyrocketing of art and constantly set a new record. The overseas auction market felt a strong purchasing power from China. The first was Sotheby's Wear Runazhai's collection of porcelain and handicrafts on the auction stage. The history of Sotheby's was attributed to the imitation of Qianlong. The opening of the Pastry on the Pastry is a record of 20,000 times the valuation of the punctuated bottle. Thus broke the record of the difference between the priceless valuation and the transaction price in the history of the auction.
Then Christie's New York City announced a total of US$117 million worth of sales in seven auctions held during the Asian Art Week, setting another record high. Among them, Chinese art auctions achieved a total turnover of US$76.75 million, setting a record for auctions of Chinese art in New York. "Gao Teng-tung's collection - The Qing Dynasty porcelain kiln monochrome glaze porcelain and early art boutique, the top ten transactions, seven are private collectors from Asia.
Obviously, the official kiln porcelain of the third generation of the Qing dynasty was enthusiastically sought after and was not unrelated to the participation of many Chinese collectors. The "New York Art" made this assessment: "Chinese people are now desperate for Qianlong's porcelain wares." And Chinese collectors' enthusiasm for art is certainly not limited to porcelain, but also to fine art. It is even more global.
From the Swiss media, the Ventes Hotel auctioned out a ceremonial wine glass from the 17th to the 18th centuries of the Qing dynasty. It was conservatively valued at 1-1.5 million francs. On the auction site, numerous Chinese collectors and anonymous telephone bidders underwent fierce competition. The cup eventually fell to the hands of a Chinese buyer at the auction site and the transaction price was more than 30 times the starting price. The price of this auction became the highest number of Asian artworks on the Swiss auction market, and it is among the most expensive ten-size artworks in Europe.
Also in the French auction house Labarbe in Toulouse, southwestern France, a reel painting in the Qing Dynasty Qianlong period was sold at a price of 22.1 million euros (about RMB 204 million), becoming the auction of this year's Chinese calligraphy and paintings. New record. It is reported that the work was originally valued at 5 million euros to 6 million euros. After seven Asian bidders decided to compete, the auction was estimated to have risen to 13 million to 15 million euros, which was also purchased by collectors from Beijing.
Later, the four-foot square Qianlong White Jade, launched by the auction house, was also considered to be a looted French occupation of the Forbidden City in 1900. Thanks to its transparent texture and exquisite carving work, 7 bidders from Chinese collectors eventually bid for 12.4 million euros (about 114 million yuan), far exceeding the valuation of 1 million to 1.5 million euros. Some professionals also pointed out that this kind of flow of prose physics should be returned to China. They do not agree to buy back by “repurchase†because this will put a “legal†coat on the legitimacy, and the cost of returning Other cultural relics will increase. It will be more difficult.
Spring auctions are gathering together, trends are bullish on the billions of years of Chinese art auctions in 2010, the excellent situation of New York Asian Art Week this spring, and the general decline of Asia-Pacific stocks affected by Japan’s nuclear leakage, etc., and hot money will continue to flow into the arts. Market. The secluded family's old possessions have flowed into the market one after another because of their profitability. It is expected that prices of Chinese art objects will continue to rise in the coming period.
The spring auction of Sotheby’s in Hong Kong started on April 1st, showing more than 3,600 pieces of treasures. The total valuation was more than HK$2.7 billion (US$344 million). Such a high valuation is Sotheby’s auction held in Asia. Since the history of the most. One of the most interesting issues is that Sotheby’s Hong Kong will hold Ullens’ collection of important contemporary Chinese art respectively: the “Dawn - The Pursuit of the Sources of Contemporary Chinese Art†evening auctions and the “Musanne Hall Collection†- an important Chinese porcelain selection "Even" evening auctions, both special collections of national treasure level artwork.
In the following May, Hong Kong Christie's Spring Auction will continue to present a number of different collections of treasures. "Chinese Art of the 20th Century" will present "14.11.63" written by Zao Wou-ki in 1963 (appraised HK$12,016 million). The contemporary art section focuses on the large-scale painting “Bleah!†created by Liu Ye in 1999 and marks the artist's turning point in painting. 》, as well as works by Zhang Xiaogang and Zeng Fanzhi. The porcelain plate includes a series of exquisite Ming and Qing imperial porcelain, which is expected to make the auction scene once again go crazy.
The spring auctions of the major auction companies in the Mainland have been particularly busy. The footprints have spread all over the world. The work is not yet over yet but it has already begun to take shape, and boutiques have emerged again and again.
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