The secret of the coat button

Fabrics

The childhood life has a great influence on Chanel. The image of a soldier she often sees when she was young has a subtle influence on her future designs, such as her favorite neutral qualities, and the wear-resistant tweed from the military uniform. Fabric.

Shoulder pads

There is no shoulder pad in the classic Chanel coat, because Ms. Chanel thinks the shoulder pad will make the jacket look stiff and tight.

Clipping

According to the texture of the fabric straight to sewn, fully fit the chest line, rather than deliberately pleated suture. The same principle will also be used on the back of the jacket. In addition to simple sutures, there is no extra trimming and lining.

sleeve

Cut it according to the vertical pattern texture of the fabric, and the seam is at the highest point of the shoulder to enhance the freedom of stretching the arms. The long-sleeved design will make a slight curvature and add a piece of cloth inside, so that the elbow can move more flexibly. In fact, in order to allow women to wear completely, Ms. Chanel will also ask women to put their hands on their shoulders when making coats to obtain the most accurate measurement data.

Button

The button shows a jewel-like ornate texture, accompanied by the gold-plated style of the milkstone, and adorned with a lion's head, a wheat bunch pattern, and a camellia carving decoration (Miss Chanel's constellation is Leo, that is the harvest season, the wheat bunch pattern This is derived from). All the buttons are buckled, not decorative.

pocket

The original intention of designing pockets was to make it easy for women wearing coats to put their hands in. In that year, pocket design was a pioneering move, because the action of putting hands in pockets was once considered as exclusive to men. Of course, Ms. Chanel's design of the pocket has a purpose - to allow the jacket to accommodate more small things, such as keys, lipstick, and scissors that Ms. Chanel does not leave her job.

Lined cloth

The choice of lining cloth material is very sophisticated, and generally it is completely possible to do outer wear fabrics, and the color will choose the color that matches the jacket color most. All the pieces are also exactly the same as the jackets, including multiple cuts of the shoulders and sleeves to achieve the best comfort of the jacket. The lining cloth and the tweed car line of the outer cover each overlap.

Copper chain

The hem of the jacket is sewn with a delicate copper chain to give the jacket a more drape feel. The tailor will hide the chain in the rim of the lining. On one occasion, a woman asked Ms. Chanel if there was any way to let the chain be exposed, because it was so beautiful. Later, Ms. Chanel designed the chain bag.

Rolling

Trimming successfully highlights the jacket's lines, and similar details reappear at the pocket's edges and cuffs, which are lively and full of design texture. Sometimes a similar edging design will be presented with deliberately no-swab whiskers.

Little coats and stars

Many celebrities, supermodels, and celebrities are big fans of Chanel's jackets. Under their deduction, the classic little jacket has a more fashionable style.

Time had taken place in the 1950s. Ms. Chanel thought that the design of the popular women's suits at that time was not only not in line with the trend, but also because they were too tight and full of pressure. In order to allow women to have new options, Ms. Chanel designed a set of self-contained, stylish and comfortable suits, distributed elegant casual style, as well as Ms. Chanel's favorite neutral charm. This design is suitable for women who are active and advocating freedom. Whether they are riding during the day or partying at night, they provide excellent functionality and comfort. Chanel set classic began.

Until today, the production process of all Chanel coats has not changed. Tailors at the Chanel Studio on Kangpeng Street still continue their exquisite workmanship half a century ago. However, in addition to interpreting the traditional style, Chanel's creative director Karl Lagerfeld also constantly injects new fashion aesthetics into the classic jacket - although he often inspires the design principle of Ms. Chanel's lifetime, but also do not forget to add some new The design elements, such as the combination of various and complex materials and a variety of surprising patterns, add a sense of humor to the jacket.


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